Turkish Tales

Sit a spell with me

Gazing into Mystery

To some, a dirt, refuse

To others palette of Muse

.

Squint, deep breath, with eyes half mast

Do whatever you do to trance

Peer into the scene afore

What hold these grounds

What beckons, lore

.

A ship, at sea beneath the moon

Valkyrie leading horn blowing swoon

A dragon staring, protecting aboard

A mermaid, siren pride of hoard

A squirrel, spider, lazy baboon

Viking, beside her above dark moon

.

Peer closely, peer loosely

Into your trance

Join me in asking

Join me in dance

.

Join me in pretending

Imagination can lead

Join me in playing

Join in the read

.

What do you see

With particular orbs

A question answered?

A silence, bored?

.

Take just a moment

With what lays heavy on mind

Squint breathing, trancing

And explore what you’ll find

Desert Reparations

Guided through desert thickets
Past abandoned couches
And rough patches of bright sunflower faces
I find my place


I can’t quite prove it
Or anything really, anymore
But I’m grasping at believing
The ancient ones guided.

I place my hand on the still cool desert clay
Sharp edges of shale pierce alive
I kneel
I ask permission

I ask permission

I offer

I wait.


I listen for them

Here in this circle

I listen for direction

The wind blows gently

It is my only evidence

Life in the barren lands of battle

Is quiet

Now.


I wait

I listen

There seems only to be silence

I tell myself to be patient

As the old well of grief rises

Bursting from lacrimal glands

Trailing wet and salty down cheekbones

Silence


Have I come

Thousands of miles

For no real reason?

Do I fabricate this entire experience

To make myself matter

To make myself…good?


Where are you?

Have you left me?

A penance of separation

Forever?


I feel the well-worn channels of sorrow

I feel the clutching in my chest

Like vines holding captive

I let them bind me

I let the tears of longing

Drip onto the dry earth

I sit

In this great, great Silence.


And then

The tears 

Of shame, abandonment

Transform to rivers

Flowing rivers

Across this dry desert skin

Of apology

For all my relations

For this wetness

To matter

To…heal?


Sounds of chirping birds 

Call out in the distance

My heart jumps

Hoping they will grace me

Help me feel

Help me heal.


The birds keep their distance

And I sigh.

But Bee, Wasp and Fly

Buzz incessantly near

And Ant

His bite makes me wonder

Of the small and subtle

Spirits of place, greeting


I allow for this possibility

I let myself believe

Again.


Around my body

The quiet thicket holds me

And I let the silence

The soft wind ruffling

The crawling and buzzing ones

I let it be enough.


I start to sing

I howl

I cry

I babble

I hover

I build a circle of stones

I adorn

I lay the corn

I lay the pine nuts

I let it be enough.


Me 

The silence

And this possibility.


I leap over the great chasm

Of myself

I recognize my place

In the bigness of things

Even seemingly silent things

I let my grief

And these salty tears

And the ghosts of bloody battles

Hidden

Deep

Beneath

The

Weathered

Cracks


I let it 

Be enough.

.

~Written for “Sanctuary,” a women’s literary collection soon to be published by Red Earth Press, ed. Pamela Eakins.

.

I have been in the Salt Lake City area for the last few weeks, meeting Mormon family members for the first time, seeing where my 1800’s ancestors built their first homes and family after making the long journey in covered wagons. They were escaping persecution from others for their beliefs, and were seeking sanctuary to live in peace. Ironically, and sadly, the area they migrated to was already inhabited by communities of people–and in their unconscious “settling” of the land, these indigenous ones were persecuted and pushed out by the same Mormons.

This is why I lay down my heart on the land and made reparations. In my blood pumps the blood of those people who came, colonized and disrespected the indigenous of Salt Lake…the Ute people, the Goshute. The small amount of time and effort I put won’t ever equal the tragedies that occurred on the land, but I knew I needed to at least show up, eyes wide open.

Thanks for reading.

Resurrection

The Aeon, by Lady Frieda Harris

We find ourselves at a crossroads.


We know something must change.


Old ways of being and seeing our journey are no longer working, crumbling even,

around us.


Let us find a new way.


Let us use the magick…of re-membering…to open a road together.


Let us look deeply into where we’ve been, where we are and why we’ve come here.


Let us breathe new life into the story.


Let us open a new way,


At this crossroads,


Together.

.

I woke this morning, with this poem running through my mind. It is a first attempt at describing the work I want to offer in service to others, a way to verbalize the many strands of the web that wants to work through me. It is an offering called Re-Storying, and it seeks to help people look at their stories, especially stories around illness and shadow, and to see these stories in a new, more empowering way.

It has taken me a long time to feel confident enough to say I have something to share that will help others, not because I think I am a horrible person, but because I still struggle. Something in me feels like I somehow have to be perfect in order to be qualified to assist another through their darkness.

But I’m not perfect, and that’s okay. That’s the old story I am breaking free from, my own crossroads. Of whether to keep hiding what I’m here to give because I haven’t reached some sort of Holy Grail…or to step forward with my heart’s longing to help and to see what my perfectly imperfect life can lend others in their search for wholeness.

What I do realize is that I have taken a life that is filled with typically shame-inducing experiences and have managed to re-story it into one of deep initiation and sacredness. I have written about this in my memoir, Food Memories, but I have also spent the past twenty years actively living out and believing in that re-framing. I have chosen to not let the cultural projections of what I’ve been through, including even the Recovery culture, deter me. Don’t get me wrong…I have fallen over and over again into forgetting who I am and what the hell I’m doing here. I have wept and doubted myself and my attempts to re-member myself, my true story, in the sheer intensity of the projections that sought to tame me.

I am not perfect. But I do feel that my journey, and that imperfection is incredibly sacred. And that is what I think I have to offer, helping others find that in themselves no matter where they are in their life process.

I am Letting Go of the story that I am confused. I am Letting Go of the story that I don’t know what I am talking about. I am Letting go that I have nothing to offer. Or perhaps, it is indeed that I have Nothing to offer, that beautiful place of sitting in the not knowing and finding magick arising from it. I am Letting Go of the story that even Nothing, silence, presence is somehow unfit to offer others in their time of need.

Perhaps, like the Phoenix rising, there is a new story within me that desires to be told. One that includes accompanying you, and the remembering of your equally amazing and sacred journey, together. Even in these incredibly crazy times, can we find a way?

Let us open this road, together.

*Thanks for reading! If you’d like to learn more about the Food Memories book I’ve referenced for this post, you can support a small bookstore by purchasing it here: 

https://www.ebookwoman.com/book/9781689839075

or by searching for Food Memories by Reagan Lakins on any major book selling website.

Sacrifices: Eating With The Dead

The heaviness is here

Weighty lump in throat

I risked it

For the ancestors

Opened the grimoire

Revealing today’s assignment

Eating with the dead

My dreaded Book of Shadows

.

First, scouring the aisles

Finding perfection to match them

Settling for enough

To avoid familiar choice overwhelm

.

Second, scouring the picturebooks

Sadness and memory emerge

Turning pages

I find their faces

Years before the beatings

.

Third, setting the altar

Lighting candles, preparing plates

Roasting garlic wafting through

Arranging the items

Setting them there

.

Fourth, turning on music

At first a thirties Benny

And then back, way back

To weaving voices and clinking water jugs

Poland

.

Finally: eating

Noticing excitement

For reason to break routine

Over and over the same

The typical fare

But this time, new delights

Await

.

Welcoming the dead

I pick up the knife and smear

Chunky pimento cheese matter

Onto cracker and lift

Teeth pierce through cold substance

Breaking through crisp leavened wafer

And chewing begins

Pimply cold cornichons

Rolling in between finger

Burst through skin and onto tongue

And stomach turns

.

Still, I continue

Cornbread, toasting

Perhaps it will settle

Roiling and rumbling

All kinds of voices

Black chanting obstacles

.

Back and forth in hand

Hot breadstuff matter

Lifted to nose

A sweet smell

Will it save me?

.

Billowy, corn laced

Cake onto tongue

And chewing seems to soothe

Swallowing with no idea

Of the later effect “too much”

Will unfold

.

Thanking, thanking

These dead, beloved ancestors

Ones who inspired palm reading

And ones who left grand story

Ones who kept going

Despite the crumbling world soul around them

Thanking, thanking

And risking

.

Perhaps, this time, it will be okay

Perhaps, this time, eating “freely” won’t hurt

Perhaps, this time, the ancestors will spare

.

Later, the wishing is wrong

Later, the stomach is roiling

Later, the anxiety peaks

And the fullness haunts

The scrambling and unexplainable terror

Comes over once more

.

But this practice

The ones for the dead

Is one I’ve committed

And every so often

I risk

Candle flickering

And old folk voices chanting

I risk entering into this territory

I sacrifice this weird first-world problem

And hold on

Until the rumbling freight train

Passes

.

Thank you, grammie and granpa

For pushing me to live

Amorphous Chill

Photo by Ricardo Garcia on Pexels.com

When she pushes

Allowing more to traverse the gullet

At first

All is well

Yet

Shortly thereafter

Is what concerns her

Not the inches or kilos or whip of self-defeat

But the cold

.

There is this chill

That rises out of nether

Slippery wisps

Rising to throat

Hovering, incubating

Pregnant

The space becomes

With unnameable terrors

Filled with force

And hidden secrets

And colors she can’t even

See

.

Here

This amorphous chill

Pulses

If only

They could tell her

What it is

How to grasp it

They only stare

With questions of delusion

.

But to her

It is real

And no amount of

Re-Covering

Has quelled this

Amorphous rising

.

She pushes when she can

And she braces

Holding on

Restraining reflexes of projectile undulation

She braces

Holding on

.

Waiting

For her demons

To pass

The 100 Calorie Absurdity

Photo by Vie Studio on Pexels.com

One two three
Four five six
Seven


Seven
Fucking
Almonds
Now was that so hard?

For months
The line of 50
Has been uncrossable
But now, after proper reflection
The Seven are added

.

Nausea acidic hurl
Sloshes to and fro
She doesn’t want this
The fermented bubbly excuse
For an oasis in the desert

.

Why is it
That 100 is so damned difficult
The feeling of fullness so terrifying
That absurdities, ones that
Don’t
Really
Even
Matter
Rule the breath filled day?

.

Once again the Seven join
Despite what illogical regimen surrounds
Once again
Bootstraps are pulled
Victimy box dancing child
Invited to

Get Up Off The Floor

Why does the forgetting commence?
Surely depth, some great alchemical equation

Some cultural shadow reflection

Some unconscious puppetry

Is at root of it all?

.

Or perhaps

Everyone

Gets

Stuck

Sometimes

.

Waking from a deep, self-forgetting numbness

I give myself

Compassion

Tips Of Fire

Photo by Anna Kester on Pexels.com

The tips

I can feel the tips

Burning

Licking flames

They’ve finally reached me

Somehow

I missed those heated tendrils

Taking over below

Only now, the tips

I feel coming alive with pain

The crackling

I hear the crackling

And feel flashes of electricity

Spitting up and halo vibrating

Around my being

Their faces

I see their faces

Mirage-like

Cackling

Like I’m supposed to be

Pointing

Cackling

Hooting and hollering

Trapped…or free?

The flickering

Heated

Tendrils

Continue to consume me

Halo vibrating

Long wild stringly tresses

Combusting

They don’t see

Those mirage-like faces

The freedom

They see my pain roaring

But not

The freedom

As the flames transform

My body

Their unconscious alchemy

Liberating me

Solve et Coagula

I call out

As the flashes of

Searing vibrance

Fingers flaming

White hot heart exploding

Birthing

Crowning

Trapped…or free?

Trapped…Or free?

.

From Liberty: Breath. Death. Soul. By Sisters of the Holy Pen, ed. Pamela Eakins, 2021.

Recently published and available here: https://www.amazon.com/Liberty-Sisters-Holy-Pamela-Eakins/dp/B098GV1D19/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1628540290&sr=1-1

The Egg Salad Sandwich. Finis.

Photo by Juan Vargas on Pexels.com

Crisp celery chunks

Bursting between teeth

Limp, browning lettuce

Squishy breadstuff

A lukewarm acidic coffee

And salty, salty sadness.

.

Body threatens to hurl

External drama absent

But oh how it roils inside

Will I die like you did?

No one knows me like you did

Oh mama

I miss you

.

Keep thinking of you

Calling out Death

While the Summer of Love played on

Gasping

Bleeding

Dying

Alone on the cigarette burned bathroom floor

.

I’m sorry

Mama

I wasn’t there

The same traffic prevents me

The terror of ancestral repeating

Ripples through my core

.

Sittin’ here

With a soggy, limp assignment

Our egg salad sandwich

In the same ol’ car

Your Rosie

But that seat is empty

And you’re not complaining

Dust to dust

.

This dungeon parkway

So many memories

To match our Last Supper

His death

My first committal

One Flew Over The Cuckoo’s Nest

The bowling lawn

And the day I found you on the bathroom floor

.

Yet here I celebrate

On this noon of Lammas

The egg salad sandwich

You and I amazingly shared

The

Last

Time

I

Saw

You

Alive

.

Here

With creamy substance

Lumpy mustardy mastications

Descending

I look across this concrete underworld

At those familiar sliding doors

Your Cheers

They knew you so well

You made them laugh

And sometimes, stare in shock

So many times

This place held you

When you’d let no other

.

Mama, I eat this egg salad sandwich

Alone

Remembering you

Remembering this long fucking strange trip

I’ve been living

The same car

The empty seat

And the Emergency Room doors

Swishing

Accepting tragedies

Other than our own

CHOMP CHOMP CHOMP

Dust to dust

The egg salad sandwich

The memory of you

The ending

Of this

.

HERE LIES THE END

OF FOOD MEMORIES RE-ENACTMENTS

MAY THESE STORIES BE READ

MAY THEY LIVE ON

FOR WHOMEVER NEED READ THEM

EVEN IF IT’S ONLY FOR MY OWN

IN YOUR MEMORIES

AND IN MINE

R.I.P.

December 7, 2020-August 2, 2021

.

*Thanks for reading and following my journey. I now return to the Void to see what next arises :}

**If you’d like to learn more about the Food Memories book I’ve been referencing for these posts, you can support a small bookstore by purchasing it here: 

https://www.ebookwoman.com/book/9781689839075

or by searching for Food Memories by Reagan Lakins on any major book selling website.

Vanilla Ice Cream, Deux

Photo by Bianca on Pexels.com

For the next two weeks I am choosing to explain my re-enactment in prose form. These are my last two opportunities to re-experience the ending chapters of my memoir, “Food Memories,” and I’d like to say more than a poem can about them and my process :}

This week, I chose to re-enact the memory of me going to Rite-Aid to challenge myself with an ice cream cone for afternoon snack. This wasn’t a long-ago memory, it was just a few years ago in 2016 that I decided to put myself through day treatment to help me with eating issues after a long time struggling alone.

In the memory, the dietician suggested I choose something that brought back good memories, to go purchase and allow myself to enjoy that. If you’ve been on this journey with me from the beginning, or have read my book, you’ll remember that Vanilla Ice Cream was my first food memory, and was one particularly filled with joy. So it was this food that I wanted to challenge myself that day.

What ended up happening in the original memory is a full-body freezing response to some sort of unknown sexual trauma. It surfaced as I stood outside of the Rite Aid, licking the dripping white liquid, feeling it run down my hands, feeling people in cars passing by, watching. And what snapped me out of it was a crow, hopping on the telephone line above me, catching my attention.

Fast forward to this weekend, when I chose to go to the neighborhood Rite Aid to re-enact the memory.

As I was planning to head out, a friend asked if I wanted to connect, and I said I was doing a few things if she’d like to join me. I chose to let her into this experience, trusting what it would bring.

I met her in the parking lot, as as we walked towards each other I saw she had something in her hand. When she came closer, I recognized she was carrying a picture of a crow. “My friend said she wanted you to have it.” She smiled.

I didn’t think much of it at the moment, except that it was a sweet gesture from someone I didn’t really know.

We walked over to the Rite Aid and entered the whoosh of the automatic doors, the coolness meeting our skin. My friend excused herself to look for another item while I went to order my ice cream. I saw the “Chocolate Malted Crunch” flavor I also loved as a kid and for a moment wondered if I should get this flavor. I decided to stick with Vanilla for the memory’s sake.

I stepped up to the counter and there was a family of four treating themselves to various cones and scoops. They were all “overweight” body types in the societal judgement of things, except for the little girl that was with them. The clerk serving them was also of this type. I noted this as a possible synchronicity to explore.

But what was also occurring while standing there waiting was this weird hidden shame feeling. The family was acting jovial and cheery, but as I do not fall into that body type I was feeling all of these kinds of comparison, self-judgments, etc, in the field. I am not sure if it was mine or theirs or what. I just felt it.

Another thing to note.

As I approached the counter, I noticed that the clerk wouldn’t look me in the eye, and was fidgeting a lot to avoid direct contact. Again, not ever sure what is mine and what is another’s, I approached him with gentleness and tried to make the interaction as clean as possible. I tried to engage him about what its like working during the summer at the ice cream counter, the rushes, etc (I did this too at that age). He didn’t seem to understand me, and was fumbling. Again, I tried to send good energy to the whole situation, to not create as little embarrassment/weirdness as possible.

That interaction complete, I met back up with my friend and we went for a walk in the gardens outside while I ate. I was a bit nervous of what might happen outside, if I would face a synchronistic sexist comment or situation that would remind me of that day in 2016. But I did not. I was simply surrounded by plant and human friend, strolling in the sunshine, eating an ice cream cone like a “normal person.”

I did struggle with whether or not to eat the cone at the end, and deciding that the ice cream was a big enough challenge, chose not to. (Later I thought about it and realized that this used to be my favorite part, eating the dribbly creaminess and crunching cone all together…I had a full on craving and visual experience of how good that was…and wondered why I didn’t remember this in the moment.)

My friend and I sat in a park afterwards and talked about spirit encounters, Brazilian psychics and agnostic ideas for balance lol. It was a good day.

In reflecting about the experience, I thought about how it both related to the original memory…as well as how it helped me heal/deepen into it. While it wasn’t crystal clear as in some memory re-enactments I’ve had, I do feel there were interesting bits.

Crow, once again, being with me, seemingly helping me to stay present.

The viewing (and possible empathic feeling) of people’s self-judgments about their bodies, about enjoying their senses, as if I was getting an opportunity to see what my own shadow energies around my body and sensuality shame were…from a distance. Without it totally taking me over, immobilizing me.

And then the fact that I was not alone, that my friend met me and was with me. She did not eat with me, but she was with me…which is a rare thing: me eating with others around. Letting her see me want/desire something, letting her see me purchase it and eat it with joy…this was healing. The fact that there wasn’t a gnarly sexual issue that came up was refreshing too. The fact that I could enjoy this, simply eating an ice cream cone without drama, was refreshing.

Thanks, crow.

Thanks, family.

Thanks, nervous server guy.

Thanks, friend.

And thanks, Rite Aid Vanilla Ice Cream.

.

Ps. Next time I’ll eat the cone.

.

*Thanks for reading! Please join me next week as I re-create the food memory, “Egg Salad Sandwich.” I’ve been re-enacting these memories chronologically from my memoir, and this will be the very last one!

**If you’d like to learn more about the Food Memories book I am referencing for these posts, you can support a small bookstore by purchasing it here: 

https://www.ebookwoman.com/book/9781689839075

or by searching for Food Memories by Reagan Lakins on any major book selling website.

Turkish Coffee, Deerhide and Social Anxiety

Photo by Ahmed Aqtai on Pexels.com

I hold the demitasse

An azure porcelain relic

To my lips

A tiny trickle of pungent

Bitter liquid bursts across my senses

Cardamom

And the odors of crisping, crackling home fries

Intermingle

.

A man is cooking

Shuffling about the kitchen

As streams of late morning sun slice through

Dio in the air

And more enter

Three humans

I am sharing this experience with

.

How strange

So much of my eating is alone

That company would feel odd

.

Sipping, and laughing

I have faint remembrance

Of community

And feeling Home

Somewhere on the planet

With the echoes

Of beating deerhide

And banishing rituals

Gathering

To celebrate

.

Sipping, the rich brew

Travels out to the garden

Where dead things are buried

And new life has just begun

Intense words are exchanged

Laughter follows

As we flip over our mostly empty receptacles

Awaiting the ground’s messages

We twist cups to the right

One, two, three

Letting the sludge dribble

And finally

Reveal

.

In one, a moon woman

Crossing abyss-like chasm into fire

In another, a horned angelic being

And then

High plumed headdress and

Bear spirit

Emerging from the last

.

This ritual

Feels so familiar

The measuring and brewing

The savoring and visioning

The reading, in circle

Imaginations

Of having come to rest

After bumpy, dusty roads

Travelling in caravan deserts

Laughing

Drinking

Smoking

Together

.

These people

Feel so familiar

Sitting in circle

Beating drums

Casting space

Sipping

In

Ritual

Ritual

Ritual

My heart longs

For this to be real

.

Still

So many shadows dance

In the space between us

Beautiful as it seems

It’s Unspoken

I feel the way they quiver my voice

I feel the tentative connection

Attachment traumas

Little anesthetized spirit children

Holding out hands

Ignored

Projecting

Introjecting

Complexing

Possessing

I feel the yearning

And refusal to admit it

Is it mine

Is it theirs

Is it mine

Is it yours

Is it all

Is it real

Who am I

Who are you?

.

Laughter

And chatty professions

Dancing round smoky tendrils

And the spirits of arabica

And I get lost

I feel a confusion

Of who or what or where I really stand

And the struggle to remember

All while smiling

And discussion

And socializing

With The Normal

Saturates the external reality in front of me

And

I

Can’t

Talk

About

It

.

This is not new

This is always how it is

When I

Am with you

.

Good thing I’ve gotten used to

Playing along whilst feeling

Thrashed

By

The

Shadows

Good thing I’ve got practice

Of simultaneously pulling myself

From the blackness, drowning

From the gauzelike haze

And the stumbling, grasping

Forgetting

.

And good thing for Turkish Coffee

Whose ritual

And flavor

And heady, swirling cardamom laced

Clarity

Seem to help me remember

Who I am

Who I am

Who I Am

When I Am with you

And the many grasping tendrils

Between

.

.

*Thanks for reading! Please join me next week as I re-create the food memory, “Vanilla Ice Cream, Deux.”

**If you’d like to learn more about the Food Memories book I am referencing for these posts, you can support a small bookstore by purchasing it here: 

https://www.ebookwoman.com/book/9781689839075

or by searching for Food Memories by Reagan Lakins on any major book selling website.